ROYAL BRIDES AND THEIR GOWNS: LADY SARAH ARMSTRONG-JONES


We remember her best as Lady Diana Spencer's eldest bridesmaid clad in tissue taffeta in the 1981 wedding extravaganza that brought both Diana and storybook bridal design into the spotlight. Lady Sarah Armstrong-Jones, was a teenager back then. Fast forward July 14, 1994, Princess Margaret's only daughter married actor Daniel Chatto. Not your typical royal event, a scant 200 guests graced the invite list to St. Stephen Walbrook, the relatively small 17th century church, a stone's throw from St. Paul's (where Charles and Diana wed). If you can believe it, there were no TV cameras and Sarah didn't show up in the family's gold coach.source
sourceSarah and Daniel met in India when she was working as a wardrobe assistant on the 1983 movie Heat and Dust. Sarah did a six-year program at the Royal Academy of Arts. In 1991, she had a show in Knightsbridge exhibiting her abstract landscapes. By this time she and Chatto whose six-year acting stint started with a role in Heat and Dust, were already a tight couple, often seen going to the theater art gallery openings. Both artists, Chatto gave up acting for art, and went on to do his own show in 1992 at the Cadogan gallery.
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Dubbed the Boho Wedding of the year by the Daily Telegraph, it was a quiet and elegant ceremony. The Armstrong/Chatto wedding was written up as a showcase of fine taste by the London press. In 1994, the Windsors needed all the positive press they could get. In the midst of the Charles/ Diana feuds these royals kept their dignity despite all the family turmoil. Princess Diana arrived at St. Stephen's unescorted and Charles followed accompanying the Queen Mother, then 93. While during the ceremony Charles and Diana shared a pew, they had little to say to one another.



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While there was no family heirloom tiara holding the bride's veil in place, Sarah did sport a circle of honeysuckle and looked timeless in her custom designed Jasper Conran. Conran's simple confection was a white draped georgette with ruched bodice reminiscent of 1940s, especially in the bodice. To date Conran's design for Sarah Armstrong and her maids remain some the the best and most inspiring work in bridal fashion.

In 1982 Vogue called Jasper Conran a ‘British superlative’. At only 26 he won the British Designer of the Year Award. Here's what Mary Quant had to say about Conran, 'He makes clothes women want to wear’.